BIOGRAPHY

CHEUNG Chung Chau (b.1999) is based in Hong Kong. His works mainly make three-dimensional sculptures or installation artworks with varied materials, and express and explore some marks in the community. He won a scholarship from” Hong Kong Electric Special Award 2021”. In the same year, CHEUNG Chung Chau’s work was selected for “Young ArtistIn-Residence@54 Po Leung Kuk "and exhibited jointly with other artists-” Bones”. CHEUNG also created a water pipe installation artwork in the exhibition of “The Poetics of Blockages art exhibition”@HKDI.

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CHEUNG loves looking for some mark from life, and these marks are some abstract symbols, lines, and structures. They all express some footprints in some streets, and there are some regional characteristics, and even people's behavior under some social problems. Exploring the community also led him to extend his attention to color, which led him to prefer black, gray, and white. This monotony is closely related to society, expressing a long sense of age and history, as well as some of the emotions and words of people. The Community has given him lots of reflection in terms of art creation.

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CHEUNG's recent Bridge Series explores the importance of architecture in the community, revealing that Bridges are not only a connection point of destination, but also an entry and exit channel for the change of people's thoughts and identities.​

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張宗楸，作品主要以不同材質物料製成 的雕塑和裝置藝術品，並研究及探討香 港社區的一些痕跡 。他曾在 2021 年出賽 過港環保比賽並其中獲獎，在一同年， 作品入選保良局 V54 年輕藝術家駐 留計 劃並與其他藝術家舉辦聯展- 「骨格」， 在「堵物•詩人」的藝術展中， 另一作品 以水管裝 置藝術品展出。

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他喜愛從生活中尋找一些痕跡，這些痕 跡是一些抽象的符號、線條和結構。它 們都表達著一些街 道中的一些腳印、還 有是一些地域的特點，甚至是人們在一 些社會問題下的行為。物料的喜好特 質 例如黑白灰，是由研究社區所因引申出 的，這些單色調與社區緊緊相連，表達 社區悠久的歷 史和年齡，以及人們的一 些情感和話語，讓社區帶給他在藝術創 作中有不斷的反思。

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張氏近期以「橋」系列探討建築在社區中的重要性，揭示了橋樑不僅是目的地的連接點，也是人民思想和身份變化的進出通道。